| Design for War and Peace: 2014 Annual Design History Society Conference |
Authenticity and commemoration: an analysis of Otto Weidt Worshop for the Blind and the Jewish Museum in Berlin |
This paper will analyse both spaces according to their scale, location in the city, authenticity, phenomenology and prosthetic memory, in order to determine whether design can enhance and protect our collective memory. |
Ana Souto |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
South African poster propaganda during the Second World War |
The paper examines poster propaganda produced in South Africa during the Second World War. |
Deirdre Pretorius |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Designed to Kill : The Difficult Study of Military Design |
Design is perceived by most as a positive concept meant to improve people lives. But it is first a means to answer efficiently a specific purpose. How can we morally accept that the act of killing led to the development of an important design industry? |
Marie-Anne Michaux |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Camouflage for peace: disruptive pattern material and dazzle painting in contemporary design and art |
The aim of this paper is to analyse the consequences of this change, in other words, the examination of the ways, the strategies, the semiotics and the social uses of the objects which conform the so-called camouflage for peace. |
Maite Méndez-Baiges |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Draw me an AK-47: Transnational imaginaries in the trenches of the cold war |
This paper examines the image of the Kalashnikov in the cold war period through two intersecting lenses that cut across disciplines of design –– the object in its public mediation and the image in its transnational circulation through print culture. |
Zeina Maasri |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Syonan Shimbun: Singapore's Wartime Newspaper |
The presentation looks at the design and production of this propaganda paper as part of the wider history of the Singaporean Straits Times, the newspaper it briefly replaced. |
Jessie O'Neill |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
"Good Housing depends on You”: Wartime Housing, 1942 |
MoMA’s 1942 Wartime Housing exhibition demonstrated that housing contributed to the war effort. Through innovative display, the museum proposed that new materials, modern techniques, and community planning would create lively permanent communities. |
Erin McKellar |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Conflicting Views: Print Propaganda Depicting Tourism in a Landscape of War |
An analysis of Ruth Taylor White’s “cartograph” for the 1945 guidebook A G.I. View of American Red Cross China, India and Burma, published by the American Red Cross. |
Dori Griffin |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Quiet, Humane and ‘Anonymous’: Pevsner’s art-historical response to wartime |
This paper focuses on Pevsner’s wartime writings. |
Ariyuki Kondo |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Prints of Peace: Elihu Burritt and the graphics of reform |
This talk examines the propaganda campaign conducted by mid-nineteenth century American reformer Elihu Burritt and a group of engravers and artists who used the graphic potential of postal items, such as envelopes, to pressure politicians for peace. |
Peter Gilderdale |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
The secret dollhouse: craft and resistance in Stalinist Estonia |
My presentation will focus on the subject of nonprofessional craft as a tool of resistance against the official power. I will be concentrating on one particular case study from Soviet Estonia, dating from the 1940s. |
Triin Jerlei |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Book and musket | graphic design of Italian school reports and diplomas during the Fascism |
In the interwar period, the Italian school reports and diplomas turned into a direct expression of the most advanced artistic research. Fascism revolutionized institutional graphic design to achieve a modern effective communication. |
Caterina Franchini |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Material objects and visual web presentation: the Virtual Peace Palace Museum |
Material objects and visual web presentation: the Virtual Peace Palace Museum. |
Marjan Groot |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Modernising the V&A: From War to Reconstruction 1918-51 |
In the aftermath of two world wars, the V&A struggled to reconstruct a national view of contemporary art and design in which Britain’s industrial past and contemporary developments could be reconciled. |
Laura Elliot |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Dressed to Dissent: 'Catch-22' Clothing |
This paper examines dress as a form of anti-war Vietnam protest using the cross dressing character of Corporal Maxwell Klinger on the long-running American sitcom MASH as its focus. |
Marilyn Cohen |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Practical Ethics Bites |
Free will, and its connection to moral responsibility |
Professor Neil Levy explores the link between free will and responsibility. What makes us blameworthy for our actions? |
Neil Levy, Nigel Warburton, David Edmonds |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
ENIAC versus Colossus and the early presentation of electronic computers |
A description of the concurrent yet different development of electronic computers during WWII in the UK and US– most notably the secrecy of the UK development compared to the widely known work in the US and the consequent effects on the computing industry |
Paul Atkinson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
‘Propaganda in Three Dimensions’: British Ministry of Information Exhibitions During World War Two |
Exhibitions designed by the British Ministry of Information exhibitions branch during World War Two as official propaganda: their methods and impact. |
Harriet Atkinson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Design for War and Peace: 2014 Annual Design History Society Conference |
Design during the War: the seventh Triennale in Milan and the Mostra della produzione in serie (Serial production exhibition, 1940) |
The Serial production exhibition, by Giuseppe Pagano, opens a new attitude in Italian design. The most advanced industrial products are shown to the public: typewriters, calculators, metal furnitures, microscopes, optical instruments, raincoats and so on. |
Alberto Bassi |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Centre for the Study of the Book |
Hand-press printing |
A demonstration of and discussion about hand-press printing with the Bodleian's Dr Paul Nash. |
Paul Nash, Adam Smyth |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Edmund Blunden |
Margi Blunden, daughter of Edmund Blunden, talks about her father and his work. |
Margi Blunden |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Impact of the 1914 – 1918 Poets |
Adrian Barlow looks at the impact of World War One poets in the years immediately following the War, in late 20s and early 30s, and as we embark on the 100 year anniversary of the conflict. |
Adrian Barlow |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Siegfried Sassoon |
Meg Crane looks at the war poems of Siegfried Sassoon, framed by the first and last (non-war) poems of his literary career. |
Meg Crane |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Poetry of the Empire |
World War One was a conflict of empire, not of nation. In this lecture Dr Simon Featherstone looks at four distinctive poets who provide a version of empire that is much more nuanced than the imperial rhetoric of the established canon. |
Simon Featherstone |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
'Earth Voices Whispering’: Reading Ireland’s Poetry of WWI: An Introduction |
Professor Gerald Dawe relates the Irish poetry of World War One to the history of Ireland itself and explores why the first anthology of Irish WW1 Poetry was only published in 2008. |
Gerald Dawe |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
David Jones |
Often overlooked, Dr Stuart Lee introduces David Jones and his seminal work 'In Parenthesis'. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Wilfred Owen |
Professor Jon Stallworthy, editor and biographer of Wilfred Owen, introduces one of the most notable poets of World War One. |
Jon Stallworthy |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Practical Ethics Bites |
What is virtue ethics? |
In this episode, Professor Roger Crisp introduces the strand of ethical theory known as 'virtue ethics'. |
Roger Crisp, Nigel Warburton, David Edmonds |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Isaac Rosenberg: ‘Fierce Imaginings’ – the Private and the Poet |
Author and editor, Jean Liddiard, presents the life and work of Isaac Rosenberg. |
Jean Liddiard |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Manuscripts |
In this short talk Dr Stuart Lee introduces some of the primary sources of World War One poetry: manuscripts. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Poetry vs. History |
What place do the poets and their work have in the historical analysis of the War? Dr Stuart Lee takes a look at the debate. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Ivor Gurney: A Poet born out of War |
Dr Philip Lancaster presents the life of literary musician Ivor Guney, and introduces some the key themes in his poetry. |
Philip Lancaster |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Languages of Criticism - Creatively Critical |
Dr Clare Connors (UEA) and Prof Wen-Chin Ouyang (SOAS) will explore the place of creativity in recent Western and classical Arabic literary criticism. Respondent: Dr Helen Slaney. |
Clare Connors, Wen-Chin Ouyang, Helen Slaney. |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
OCCT event - The Point of Comparison |
The Point of Comparison |
Mohamed-Salah Omri, Elleke Boehmer, Ben Morgan, Nicola Gardini, Nick Halmi. |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Languages of Criticism - Translation and Comparison part one |
Translation and Comparison. Convener: Dr. Xiaofan Amy Li |
Clive Scott |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ |
Prof David Herman (Durham) on ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ with responses from Dr Emily Troscianko (MML) and Dr James Carney (Social and Evolutionary Science Research Group) followed by refreshments |
David Herman, Emily Troscianko, James Carney |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Languages of Criticism - The Practice of Commentary |
Dr Robert Chard (Oriental Studies) on Commentary and the Confucian Ritual Canon, and Prof Stephen Harrison (Classics) on Commentary and Reception in Classics. |
Robert Chard, Stephen Harrison |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am” |
Dr. Marco Bernini (Durham): ‘Parallel Convergence: Cognitive Science Facing Beckett’s “The Unnamable”’, and Dr. Simon Kemp (Oxford): ‘Tell Me Who I Am’: Beckett’s “The Unnamable”. |
Marco Bernini, Simon Kemp |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Philosophy of Criticism - Creativity, Culture and Tradition |
Prof. Berys Gaut (St Andrews) on Creativity |
Berys Gaut |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
OCCT event - The Creativity of Criticism part one |
Short presentation by Andrew Klevan, followed by discussion. |
Andrew Klevan |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics |
Salim Bachi is author of Le Chien d’Ulysse (2001), Le Silence de Mahomet (2010), Moi, Khaled Khelkal (2012), and other books. He will read from his work (with a translation provided), and discuss the seminar theme. Other speakers are: Patrick Crowley (Uni |
Salim Bachi, Patrick Crowley, Mohamed-Salah Omri, Jane Hiddleston |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Philosophy of Criticism - Creativity as a Virtue of Character |
Prof. Matthew Kieran (Leeds) |
Matthew Kieran |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements” |
Prof Derek Matravers (The Open University) on Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”. |
Derek Matravers |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Translators and Writers - Poetry and the Act of Translation |
Prof Patrick McGuinness (MML) on pseudo translations and Dr Adriana X Jacobs (Oriental Studies) on rogue translations. Respondent: Kasia Szymanska. |
Patrick McGuinness, Adriana X Jacobs, Kasia Szymanska |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Intercultural Literary Practices - Theorising Interculturality |
Dr. Birgit Kaiser (Utrecht), Prof. Peter McDonald (English), and Prof. Elleke Boehmer (English) |
Birgit Kaiser, Peter McDonald, Elleke Boehmer |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Oxford Comparative Criticism and Translation (OCCT) |
Translators and Writers - Translation and Fictionality |
Peter Ghosh and Jonathan Katz on Translation and Fictionality |
Peter Ghosh, Jonathan Katz, Patrick McGuinness |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
‘On your lips my life is hung’: Robert Graves and War |
Dr Charles Mundye takes a look at how Robert Graves' experiences and feelings about War that influenced his poetic career. |
Charles Mundye |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Women Poets |
Dr Jane Potter looks at a range of women poets who wrote during, and in the years that followed, World War One. |
Jane Potter |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| History of Art: Special Lectures and Research Seminars |
Special Lecture: Art, Architects, Books and Buildings: Sir Robert Taylor & his Collection at the Taylor Institution |
A collaborative venture between the University of Oxford's Edgar Wind Society and the Taylor Institution Library, this lecture discusses Sir Robert Taylor and his collection of architectural books & included a display of selected items from the collection |
Matthew Walker, Gervase Rosser |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Edward Thomas: Edwardian War Poet |
Dr Guy Cuthbertson takes an in-depth look at the poet Edward Thomas. |
Guy Cuthbertson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Popular Poetry |
Dr Stuart Lee discusses the popular poetry of the War years and the formation of the canon in the years that followed. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
Georgians and Others |
Dr Stuart Lee gives a short introduction to the poetry movements that led up to the War. |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Nuffield Department of Clinical Neurosciences |
A role for the pulvinar following early life lesions of V1 |
NDCN Seminar on preservation of visual capacity despite injury to V1 |
James A. Bourne |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
The Early Poets |
Dr Alisa Miller looks at the popular poets in the early years of the War and the way that the press and publishing worlds created a commercial culture in support of the conflict. |
Alisa Miller |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| "British" World War One Poetry: An Introduction |
War Poetry |
Dr Mark Rawlinson explores the relationship between War and War Poetry using Owen's famous 'Preface' as the starting point. |
Mark Rawlinson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Nuffield Department of Clinical Neurosciences |
Traumatic Brain Disease in the Military: Past, Present and Future |
A review of the fascinating 100 year history of traumatic brain injury in the military and, in particular, its long-term consequences. |
Daniel Perl |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
18. Semiconductor Devices and Introduction to Magnetism |
Lecture 18 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
21. Mean Field Theory and Closing Thoughts |
Last in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
17. Dynamics of Electrons in Bands |
Lecture 17 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
20. Collective Magnetism |
Lecture 20 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
19. Magnetic Properties of Atoms |
Lecture 19 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
16. Band Structure and Optical Properties of Solids |
Lecture 16 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
15. Nearly Free Electron Model |
Lecture 15 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
14. Waves in Reciprocal Space |
Lecture 14 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
13. Scattering Experiments III |
Lecture 13 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
11. Reciprocal Space and Scattering |
Lecture 11 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
10. Geometry of Solids II: Real Space And Reciprocal Space |
Lecture 10 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
12. Scattering Experiments II |
Lecture 12 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
08. Microscopic View of Electrons in Solids in One Dimension: Tight Binding Chain |
Lecture 8 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
07. Microscopic View of Vibrations in Solids in One Dimension II: The Diatomic (Alternating) Harmonic Chain |
Lecture 7 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
06. Microscopic View of Vibrations in Solids in One Dimension I: The Monatomic Harmonic Chain |
Lecture 6 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
09. Geometry of Solids I: Crystal Structure in Real Space |
Lecture 9 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
05. Chemistry in a Nutshell |
Lecture 5 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
04. Sommerfeld (Free Electron) Theory of Electrons in Metals |
Lecture 4 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
03. Drude Theory of Electrons in Metals / Sommerfeld (Free Electron) Theory of Electrons in Metals |
Lecture 3 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
02. Debye Model of Vibrations in Solids; Drude Theory of Electrons in Metals |
Lecture 2 in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| The Oxford Solid State Basics |
01. Introduction to Condensed Matter; Einstein Model of Vibrations in Solids |
First in a series of 21 lectures on solid state physics, delivered by Professor Steven H. Simon in early 2014. |
Steven H. Simon |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| First World War Poetry Digital Archive |
New Perspectives 1: Georgians and Others |
Short presentation as part of the Oxford 'British Poetry of the First World War' Spring School |
Stuart Lee |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Running a Community Collection Online |
How to track items at a Roadshow (Digitisation) |
Part 4 of the "How To" series explaining how to keep track of objects and their stories. |
Patrick Penzo, Adelina Tomova |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Running a Community Collection Online |
How to track items at a Roadshow (Digitisation desk to Digitisation) |
Part 3 of the "How To" series explaining how to keep track of objects and their stories. |
Adelina Tomova, Patrick Penzo |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Running a Community Collection Online |
How to digitise objects well |
Short and snappy guidelines to creating a good picture for online viewing. |
Patrick Penzo |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Running a Community Collection Online |
How to track items at a Roadshow (Interview to Digitisation desk) |
Part 2 of the "How To" series explaining how to keep track of objects and their stories. |
Frances Dunkley, Alun Edwards, Adelina Tomova, Rebecca Henderson |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Running a Community Collection Online |
How to set up your camera for digitisation |
Short and snappy guidelines to setting up for digitisation of objects. |
Patrick Penzo |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Running a Community Collection Online |
How to track items at a Roadshow (Interview stage) |
Part 1 of the "How To" series explaining how to keep track of objects and their stories. |
Alun Edwards, Frances Dunkley, Rebecca Henderson |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Refugee Studies Centre |
Migration, transnationalism and social change (The Arab Uprisings – Part 2) |
Part 2 of 3 of a series of podcasts from the special workshop 'The Arab Uprisings: Displacement and Migration', held at the Oxford Department of International Development on 16 May 2014 |
Oliver Bakewell, Helene Thiollet, Nadia Bouras, Giulia Breda |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Rewley House Research Seminars |
Truth |
The presentations invite us to consider what truth means to people in different circumstances, and how definitions of truth can affect decision-making, from literary risks to clinical trials. |
Anne Jensen, Rosemary Yallop, Carl Heneghan, Yasmin Khan |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Rewley House Research Seminars |
Patterns |
Three speakers share their insights into pattern exploration and, in some cases, exploitation, in their fields of finance, mathematics and climate change. |
Bob Lockhart; Kevon Rhiney; David Howard |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Refugee Studies Centre |
A lost generation? Education opportunities for Syrian refugee children in Lebanon |
Special seminar by Dr Maha Shuayb (Centre for Lebanese Studies), which took place at the Oxford Department of International Development on 19 May 2014. |
Maha Shuayb |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Refugee Studies Centre |
Panel 2: The role of artists and institutions in challenging popular narratives about migrants (The Silent University) |
The second panel discussion of the Silent University event which took place at the Oxford Department of International Development on 20 May 2014. |
Ahmet Öğüt, Aaron Cezar, Emily Fahlén, Jonas Staal |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Refugee Studies Centre |
Ten Types of Arabic Calligraphy; Sexually Transmitted Diseases and the History of HIV; Panel 1: Migrant Communities and Networks, and Social Exclusion in the UK and Europe (The Silent University) |
Two presentations and the first panel discussion of the Silent University event which took place at the Oxford Department of International Development on 20 May 2014. |
Behnam al-Agzeer, Mulugeta Fikadu, Bridget Anderson, Carlos Cruz, Uvindu Kurukulasuriya, Geraldine Takundwa, Miriam Binsztok, Karin Waringo |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Refugee Studies Centre |
The Silent University Visible Award Ceremony 2013 |
The Silent University Visible Award Ceremony 2013 took place at the Oxford Department of International Development on 20 May 2014. Ahmet Öğüt, Silent University founder, was presented with the Visible Award, and various speakers contributed to the event. |
Dawn Chatty, Matteo Luchetti, Judith Wielander, Andrea Zegna, Paolo Naldini, Ahmet Öğüt |
|
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| University College |
The Online Revolution: Education for Everyone |
The 2014 Univ Access Lecture took place on Tuesday 17th June in Merton college. Professor Daphne Koller, co-founder of Coursera and Professor of Computer Science at Stanford University, discussed “The Online Revolution: Education for Everyone”. |
Daphne Koller, Ivor Crewe |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Department of Sociology Podcasts |
John Fox on R software for teaching quantitative methods to social science students |
John Fox discusses his experiences and views of what works well when teaching quantitative methods to undergraduate social science students, especially focusing on the choice of software with a demonstration of R and R Commander. |
John Fox |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Practical Ethics Bites |
Should euthanasia be legal? |
Dr Dominic Wilkinson, Director of Medical Ethics at the Oxford Uehiro Centre for Practical Ethics, explores the ethical issues surrounding euthanasia and asks whether it should be made legal. |
Dominic Wilkinson, Nigel Warburton, David Edmonds |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Religious Epistemology, Contextualism, and Pragmatic Encroachment |
(Undercutting) Epistemic Defeat and the 'Conciliatory' Road to Agnosticism |
Second talk given by Dr. J. Adam Carter (Edinburgh) at the Defeat and Religious Epistemology from the New Insights and Directions in Religious Epistemology Workshop, Oxford University held on 17th March 2014 |
J Adam Carter |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Religious Epistemology, Contextualism, and Pragmatic Encroachment |
Epistemic Intuitions and Defeaters for Noninferential Religious Belief |
Sixth and final talk given by Professor Michael Bergmann (Purdue) at the Defeat and Religious Epistemology for the New Insights and Directions in Religious Epistemology Workshop, Oxford University on 17th March 2014 |
Michael Bergmann |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Religious Epistemology, Contextualism, and Pragmatic Encroachment |
Defeat, Testimony, and Miracles |
First talk given by Dr Charity Anderson (Oxford) at the Defeat and Religious Epistemology from the New Insights and Directions in Religious Epistemology Workshop Oxford University on 17th March 2014 |
Charitt Anderson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Religious Epistemology, Contextualism, and Pragmatic Encroachment |
Defeaters, Proper Functioning, and the Evolutionary Argument against Naturalism |
Fifth talk given by Professor Edward Wierenga (Rochester) at the Defeat and Religious Epistemology for the New Insights and Directions in Religious Epistemology Workshop Oxford University held on 17th March 2014 |
Edward Wierenga |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Religious Epistemology, Contextualism, and Pragmatic Encroachment |
Fundamental Disagreements and Defeat |
Fourth talk given by Professor John Pittard (Yale Divinity School) at the Defeat and Religious Epistemology for the New Insights and Directions in Religious Epistemology Workshop, Oxford University on 18th March 2014 |
John Pittard |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
| Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge |
Renée Fleming, "In Conversation" |
Humanitas Visiting Professor in Opera Studies Renée Fleming, in conversation with Edward Seckerson. |
Renée Fleming, Edward Seckerson |
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/ |
