Professor Peter McDonald draws on the work of Indian novelist and literary critic, Amit Chaudhuri, to open up new ways of how we can think about D.H. Lawrence, not only as a Modernist, but also as a Post/Colonial writer.
Peter then turns to Lawrence's short story, 'The Woman Who Rode Away' (1924), set in rural Mexico, in order to demonstrate how his literature runs against the grain of distinctly Western modes of thought.
