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Furniture in Portugal, 1940-1974: between tradition, authoritarianism and modernity

Series
Design for War and Peace: 2014 Annual Design History Society Conference
Portuguese design furniture (1940-1974) and the industrial policies of the New State's dictatorship.
Through furnishing is revealed a discourse between a nationalistic intent and a gradual adoption of the modern movement, reflecting the dynamics that followed World War II. These experiments can be seen both as evidence of authoritarian regime as well as part of a resistance that would transform Portugal and its material culture. In the 1940s, there was the so-called rustic and the historicisms of scholarly root, reflecting the authoritarian character of power, but from the 50s, several creators fought for modernity in its furniture designs.

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Design for War and Peace: 2014 Annual Design History Society Conference

Draw me an AK-47: Transnational imaginaries in the trenches of the cold war

This paper examines the image of the Kalashnikov in the cold war period through two intersecting lenses that cut across disciplines of design –– the object in its public mediation and the image in its transnational circulation through print culture.
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Design for War and Peace: 2014 Annual Design History Society Conference

Authenticity and commemoration: an analysis of Otto Weidt Worshop for the Blind and the Jewish Museum in Berlin

This paper will analyse both spaces according to their scale, location in the city, authenticity, phenomenology and prosthetic memory, in order to determine whether design can enhance and protect our collective memory.
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Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Helena Maria Souto
Eduardo Cortês Real
Keywords
Design Research
Portuguese Design Furniture
Dictatorship’s memories
Industrial policies.
Department: Department for Continuing Education
Date Added: 30/09/2014
Duration: 00:21:10

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