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The Materiality of the Divine: Aniconism, Iconoclasm, Iconography

Professor Salvatore Settis, an archaeologist and art historian, presents a special lecture on the The Materiality of the Divine.

The Artist and the Stone: Ethnography of an Artistic Process

This Anthropology Departmental Seminar was given by Roger Sansi-Roca (Goldsmiths, University of London) on 18 November 2016.

Images and Influence: The Fetus in Art

Professor Carol Sanger, Hon. Fellow, Mansfield College, gives a talk for the Mansfield college lecture series.

History of Art: Terra Foundation Lecture Series in American Art

Terra Foundation Lectures in American Art 2017: Picturing a Nation: (4) Frozen in History: The Arrival of the Kennedys at Love Field

Professor David Lubin gives his final Terra Lecture in American Art on the Kennedys.

Terra Foundation Lectures in American Art 2017: Picturing a Nation: (3) The Ashcan Goes to War: George Bellows, Belligerence, and the Rape of Belgium

Professor David Lubin gives his third Terra Lecture in American Art on painter George Bellows.

Terra Foundation Lectures in American Art 2017: Picturing a Nation: (2) Buried Treasure: America’s Great Book Illustrator Howard Pyle and the Silver Screen

Professor David Lubin gives his second Terra Lecture in American Art on Howard Pyle’s illustrations of Robin Hood and pirates and their representation in movies.

Terra Foundation Lectures in American Art 2017: Picturing a Nation: (1) Riding into History, Marching into Oblivion: The Civil War, Racial Justice, and the Shaw Memorial

Professor David Lubin gives his first Terra Lecture in American Art on the Shaw Memorial in Boston.

The Beazley Archive - Classical Art Research Centre

Positioning Gandharan Buddhas in Chronology: Significant Coordinates and Anomalies

Problems of Chronology in Gandharan Art (Session 5, 24th March 2017) with Juhyung Rhi.

Is it Appropriate to Ask a Celestial Lady's Age?

Problems of Chronology in Gandharan Art (Session 4b, 24th March 2017) with Robert Bracey.

Photo Archives VI: The Place of Photography and the Phases of Digitisation

Nina Lager Vestberg (Norwegian University of Science and Technology) discusses the digital condition of photography through a phase model of digitisation.

Photo Archives VI: Archive, Exhibition, Book: 'The Family of Man' Reconstituted

Shamoon Zamir (New York University Abu Dhabi) discusses the 'The Family of Man' exhibition and its related archives.

Photo Archives VI: Archiving Royal Heirlooms: The publication of the Crown treasures of the Galerie d'Apollon (Louvre) and its materiality

Pascal Griener (University of Neuchatel) discusses photographic reproductions of the French crown jewels made for their auction in 1887.

Photo Archives VI: From Trash to Treasure: Loss, Value, and the Photo Archive

Catherine E. Clark (MIT) discusses the life cycle of anonymous photographic archives.

Photo Archives VI: The Archive in Transition: Reframing Josef Sudek’s Photographic Reproductions of Art

Katarina Masterova (Institute of Art History, The Czech Academy of Sciences) discusses the objecthood of Josef Sudek's photographic archive.

Photo Archives VI: Transports of Vision: Frederic Edwin Church's Photographic Collection of the Mediterranean and Middle East

Frederick N. Bohrer (Hood College) discusses Frederic Edwin Church's photographic collection.

Photo Archives VI Welcome Day 1

Opening remarks on the first day of the conference.

Diplomacy and culture at the Ottoman Court

Art and Diplomacy: Peter Coeke Van Aelst's Journey Constantinople

Talitha Schepers discusses the images that Pieter Coecke van Aelst produced of the court of Suleiman I and their links to diplomacy.

Turner and Catastrophe

Franny Moyle gives a talk for Mansfield College.

Thinking with Things: The Oxford Collection

Ennui by Walter Richard Sickert

On Viginia Woolf's interpretation of Walter Sickert's painting of Ennui.

Portrait of Mademoiselle Claus by Édouard Manet

Are Eastern Art and Western Art basically the same, and what is painting for? On Édouard Manet, Cézanne and their similarity to Chinese paintings. With Professor Craig Clunas Art History, University of Oxford.

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